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Chapter One · Cold Water, Hot Smoke

The first splash was always the worst.

Teo stepped off the stone stairs into the black water and his body seized. Shockingly cold, smelling of silt and something faintly metallic. It hit like a fist…

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Historical Fiction · Magical Realism

In a provincial Aztec temple precinct on the eve of the Spanish conquest, three acolytes pore over lost codices while the priests ride ololiuqui visions into the spirit realm. They soon discover that the ships gathering on the eastern coast are an opening move in a war between their gods.

About the Book

It is the year Twelve House by the Mexica count, and a temple precinct on the edge of the empire still keeps the old observances: the predawn lake bath, the smoke offering, the conch sounded at the hours. Hidden codices in the library hint at practices the elders will not mention. The seeds of ololiuqui are ground for ceremonies the priesthood has begun to perform without witnesses.

Teo is brushed by harmonies he cannot name. Yolma decodes codices in secret but conceals the knowledge. Lalli hears what others have decided not to say. Sworn to the temple and to each other, these oaths quickly come into conflict.

As they try to untangle their own ordeals at the temple, word reaches them from the coast: pale strangers have landed, with weapons that strike with thunder. The trail leads to the Templo Mayor, and to a court where Cortés, Marina, and Alvarado now move freely. The elders say the prophecies are speaking; the imperial messengers say the empire will absorb it all. The acolytes begin to piece together divine implications. The Fifth Sun is straining, and the gods themselves are at war over what comes next.

Read the Opening

The first splash was always the worst.

Teo stepped off the stone stairs into the black water and his body seized. Shockingly cold, smelling of silt and something faintly metallic. It hit like a fist. His breath slammed shut and his spine locked. Every rational thought he had was replaced by the single burning conviction that the gods could not possibly require this. He cupped water in both hands and poured it over his head, making a sound he wasn't proud of.

Yolma went next. She always treated the lake as something to be defeated rather than endured. She stepped in without hesitating, poured water over her hair, jaw set, no sound. A small, daily victory.

“Every morning,” she said, watching him from the bottom step with the calm superiority of someone who had suffered in silence. “Every morning you act surprised.”

“Every morning it's terrible.”

Purification, the elders said. A cleansing of the body before cleansing the gods' house. Teo was fairly sure the gods didn't care how clean his skin was before sunrise. But you didn't say that out loud.

They climbed back up the lake stairs, the stone steps worn smooth by a hundred years of bare feet before theirs, slick with algae at the waterline. They dressed quickly on the platform above: cotton tilmas against the chill, hair tied back. Their sandals dangled from their belts; you didn't wear them for temple chores unless you wanted a scolding about softness. The flagstones bit cold through his feet, but after the frigid lake it was a minor discomfort.

The eastern sky over the open water was the color of bone. Somewhere out past the reed beds a fisherman was already working, the slap of a net faintly audible. Behind them, the precinct of the Calmecac Amaxac rose from the wetlands in stepped black silhouettes: the square bulk of the Templo Itzpapalotl to the east, the circular Round Tower to the west, the northern Platform lifted on its limestone dais. A drum had been marking the hours in the upper shrines since before they woke, low enough to feel more than hear.

“Elder Xochipilli is choosing assistants for tonight's ceremony,” Yolma said, casual and not at all casual, tying her hair with practiced fingers. “The ololiuqui preparation.”

Teo's stomach tightened. “Did he say how many?”

“He doesn't say. He watches.” She glanced at him sideways, competitive as a second heartbeat. “I've been working through the seven variations. Our tradition uses honey.”

“I rather doubt that. It's not supposed to taste sweet.”

“Clearly you haven't studied the southern preparation.”

He almost laughed.

The Three Acolytes

Teo

Diviner

The son of a once-respected merchant, he was given to the temple when his father's fortunes turned. He has what the elders call accidental wisdom: fetching the right tool without knowing why, walking into omens others strain to read. It remains unclear whether it is actually a gift.

Yolma

Scholar

A commoner's daughter among noble-born acolytes, she has no family wealth to soften her standing. She compensates with obsession: every variation memorized, every forbidden codex read late and read alone. Knowledge is her shield and her blade.

Lalli

Healer

The empire took everything from her. She was sent to the temple as a debt-payment and a re-education. She tends the sick and jokes with the kitchen women, but her humour sours when her distrust of the empire deepens amidst new suspicions.

For Readers Who Love

About the Author

Kent Mewhort is perennially drawn to big ideas. By day, he writes software for lunar rovers. By night, he turns his mind to cosmology, history, and how to bring them together into a story.

He grew up at the intersection of narrative and logic, the son of an English teacher and a computer teacher, telling stories since before he could spell all the words in them.

Dusk of the Fifth Sun is his first novel. He lives with his wife and two children in Ottawa, Canada.

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